When it comes to covers, simple can be good. Simple can also be colossally awful. I’m still trying to figure out what it is that separates one from the other. For instance, I found the simple, similar covers for The Girl on the Train to be really, really boring. But faced with another set of simple, similar covers – Lauren Groff’s Fates and Furies – I find myself head over heels. What gives?
The most common cover I’ve come across is the North American edition, but also what seems to be the pick for translated editions:
Something about this design appeals to me on a basic level. Is it waves? Is it frost? Is it a topographic map? Does it matter? Any of the above speak well to the title of the novel – evoking the sense of forces outside of human control. And I especially like how the waves overlap the text to a variety of degrees across these covers, even as the font, title placement, and image all remain the same.
Fates and Furies also avoids the Girl on the Train fiasco of one boring cover by supplying a couple of different designs across countries. I love the contrast between the North American edition and the UK edition – playful design and pattern, vibrancy and violence.
Interestingly, the large print edition seems to have gotten its own cover, which riffs subtly on the original North American printing as well – confirming my perspective of waves.
Last but not least, the Spanish cover takes a completely different direction – keeping in the same colour scheme but moving towards more substantial imagery.
Going back to the NA cover, I think my love for its simplicity comes from a place that is both surprising and unsurprising: unlike The Girl on the Train, I was bowled over by Fates and Furies. It’s funny – we’re always told not to judge a book by its cover, but I never thought I’d find myself judging a cover by its book.
How about you? What’s your favourite cover? Leave me your thoughts and opinions in the comments!
Cover to Cover is a weekly feature appearing every Wednesday. You can browse through past posts here.